While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. They were in different key, they had a different timbre. McClintock was in a gay mood at dinner that night; but he did not see fit to give these children the true reason.
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