We have known men who have come here for no other purpose than to prove their unassailable virtue, who have strode into the arena of temptation, waving the—the what is it—the white flower of a blameless life, only to exchange it with marvellous facility for the violets of the Parisienne. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. . .
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