He knew that tragedy was as blind as justice, that it struck the child and the grown-up impartially. "A thousand pounds," he observed, gloomily, "is a heavy price to pay for doubtful secrecy, when certain silence might be so cheaply procured. It isn’t. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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