She had a feeling as though something had dropped from her eyes, as though she had just discovered herself for the first time—discovered herself as a sleepwalker might do, abruptly among dangers, hindrances, and perplexities, on the verge of a cardinal crisis. It was painted in the early seventeenth century by a minor artist named DuPre. “What ought you to do?” He began to produce his knowledge of the world for her benefit, jerkily and allusively, and with a strong, rank flavor of “savoir faire.
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